The romantic story of 'Shahsavar-e- Palngineh Poosh' by Shouta Roustaveli is a cultural-literary reflection of the flourishing era of Georgian community and the high power of the 'Queen Tamaar' in the twelfth century A.D. Roustaveli, in the introduction of this ode, confesses that he has imitated an Iranian story in writing this work. Since some Georgian critics have claimed that the concepts that Roustaveli has used as the theme in his poem are found in none of Iranian narratives, this study mainly aimed at introducing this narrative to Persian speakers applying a morphological research approach.

If in enlightenment wisdom and the institution derived from it were important and man faced nature, romanticism was a revolt against enlightenment and assumptions coming from it. The exponent of encyclopedia and the enlightenment thinkers were of the view that "wisdom" alone is the right path to understanding of the world and its foresight and other senses are weak. In contrast the romantics were of the view that "feelings" are the authentic sense for understanding, in other words mind accept a path which heart has guided it. The present article wants to examine the Romantic Movement and the grounds for the formation of it in Germany. Romanticism in Germany got an anti-French nature and France was like "the other" for German romantics. The paper also discusses the theory of romantic government and the thinking of Johann Hamann with emphasis on exclusivist aspect of this movement and its confrontation with enlightenment.

The story and personality of divine prophets, based on the explicit version of the Qur'an and traditions, is one of the essential features of Islamic mysticism that has been considered by mystics in different ages. In fact, the outline of romantic love points and experiences with the aim of opening up an epistemological and aesthetic perspective is one of the most important approaches in Islamic Sufism that has been identified with the love school of mysticism. The hidden romance in these stories deals with the most important themes and implications of love, so the purpose of this study is to identify and explain the romantic approach to the story of Moses in mystical works from the fifth to the seventh century AH. In this research, the facts and evidences in mystical works have been studied by descriptive-analytic method. Investigating the evidence and research findings showed that the romantic approach is relatively similar in frequency in both poetic and affective works and in the three centuries studied. From the point of view of the subject, the conversation of God with Prophet Moses and the manifestation of the right to him has been most abundant in dealing with poets and writers.

Story poetry is a literary genre which portraits given phenomenon in the story frame. Though this genre of poetry functionally and formally was well known at historical Arabic poetry but Mutrānrebuilt it by imitating western literary movements. This paper concentrates on the narrative poems of Khalil Mutran studying social-historical aspects by analyzing his main poems by using sociological criticism. Mutran through historical projection encourage oppressed nations to revolt against ignominy and tyranny reign in Arab worlds and created in them mobility in sake of illustrious future. Mutrān took his poetic themes from reality of people’s life to reform Arab society and enunciated for ideal life full of morality. Mutran poems had two explanatory aspects: 1-political aspects embodied in resisting to eastern autocratic rule of Othmani- Arabic. 2- Changing of Arabic lyrics from its inheritable and classic form to the individualism and dynamism frame.

Nima, founder of modem Persian poetry, revealed romantic tendencies especially in his earlier poems, maintaining a milder romanticism for the rest of his life. The purpose of this article is to explore Nima's romantic tendencies and his views on romanticism regardless of his poetry. Nima's romanticism borders the social romanticism of the constitutional period and the sentimental romanticism of the 20s and 30s. The main characteristics of his romantic poetry are as follows: romantic love, desire for nature, primitivism, idealism, subjectivism, desire for isolation, appreciation of the poetry of European romantic poets, etc.

One of the romantic Poems of Persian Literature is mathnavi of "Jamal and Jalal" by Mohammad Nazlabad, the poet of the ninth century. Recently, University Publication Center has published this unique manuscript. This poem has several romantic, symbolic, mytic, folkloric and tri cheur motifs, yet it has not been mentioned as alluded to in manuscripts and Dr. Poornamdarian has not refored to it in his analysis of symbolic stories. This study is the first to introduce the poem. It is been concluded that the poet must be Mohammad Amin Nazlabadi who has also written Bahram and Golandam.

The social-political events are the main stimulus of the change of style in any period of time. In Iran ,Constitutional Revolution, alongside the changes that caused in society, had a great influence in literature and by proposing social contents, caused the change in the style of the literati. Occurrences in Pahlavi's government, increased the tendency toward community-oriented romantic and lead to change in style of poems and other artworks. Romanticism is a Literary school that emphasize on excellence of emotion and fiction rather than reasoning and intellection. This school has two branches: individual-emotional (dealing with personal world) and social (reflecting social events and attempting for change in society). Nosrat Rahmany is one of the pioneers of community-oriented romantic poetry in contemporary and one of the frustrated intellectual after the 1953 coup when social-political events caused him to turn toward people. Since this time on Rahmany considered the human emotions and feelings more important than individual and personal emotions. In this research, relying on Nosrat Rahmany's poems, the transition of his thought from Individualist romantic to community-oriented romantic and characteristics of Individual romanticism and community-oriented romanticism were studied.

The Germany Literature is embellished with the works which belong to different eras. The Romantic era, inter alia, has this speciality that its intellectuals, literary men and artists have focused their attention not to the real issues, but to the ultimate infinite of the universe, because, the origin and foundation of the issues is the ultimate infinite which is manifested in the form of beautiful ideals in the nature. According to the ramantic insight, the artists observe the manifestation of ideals in the scene of the nature through their feelings and reflect them in their works. However, the subject of their concern is so great that no artist can totally observe it and display it in his/her work. Moreover, the ultimate infinite of the universe may not in nature be confined within a work of art. Therefore, the literary works remain as an unfinished pieces. This article is a brief explanation of the insight and works of the intellectuals, literary men and artists of the romantic era.